Pimping up the BMPCC – My Wish List for 2017 and beyond…

To recapitulate the past year. Autumn of 2016 saw a major investment in a new digital film camera, the Blackmagic Pocket Cinema Camera, plus two SDXC flash memory cards and a dual USB charger to go with the two EN-EL20 spare batteries. I also aquired a brand new workstation that would match up the CinemaDNG RAW workflow … More Pimping up the BMPCC – My Wish List for 2017 and beyond…

Made in Russia – Considering the POOLiCAGE for the BMPCC

I already knew when puchasing the Blackmagic Pocket Cinema Camera that I eventually would need to invest in a protective metal cage which also provided for a full rigging of the camera, with rods, batteries, mics, etc. In my search I have considered the CAME-TV, the Tilta ES-T13 and the CamTree Hunt (a carbon copy … More Made in Russia – Considering the POOLiCAGE for the BMPCC

A Short Narrative Documentary – The XmasTree Hunt

Herein below is attached my first official short movie presented by Gorilla Film Studios (formerly MasterPlan Productions), entitled The XmasTree Hunt. It was directed, recorded, edited, mixed and graded by yours truly, Tomas Stacewicz. Music by courtesy of Kevin MacLeod (incompetech.com) used under a Creative Commons Attribution 4.0 (creativecommons.org/licenses/by/4.0/) license, and the Jingle Punks. Drone … More A Short Narrative Documentary – The XmasTree Hunt

The Big Three – The Fraternity of Digital Super 16 Shooters

Recently, a heated discussion erupted on the Blackmagic Forum following a plead to Blackmagic Design to incorporate Bolex Log and Bolex Wide Gamut RGB support as an option in the Camera Raw panel of DaVinci Resolve. The biggest benefit from the implementation of such a feature, the pleader Alex Mitchell holds, is that highlight information … More The Big Three – The Fraternity of Digital Super 16 Shooters

The Logic of RAW – Why it’s better to overexpose (than to underexpose) with the Blackmagic Cinema Cameras

In a previous blog post, where I delved somewhat into the question of over- and underexposure with CinemaDNG RAW, I stumbled upon the topic of the seeming similarites between the flat image of RAW and the Log (logarithmic) profile curve whose exposure f-stop range perfectly emulates the iris of the human eye. Let me reiterate … More The Logic of RAW – Why it’s better to overexpose (than to underexpose) with the Blackmagic Cinema Cameras

Who reads yesterdays paper? – An updated review of the BMPCC

When I bought the Blackmagic Pocket Cinema Camera (BMPCC) three months ago I mainly had to rely on two or three year old video reviews, which describes a product in a working progress, to base my decision on. I only saw perhaps one or two reviews that were less than two years old, but never … More Who reads yesterdays paper? – An updated review of the BMPCC