Lux ex Tenebris (Special Edition) – Camera Test Movie I

Below I have once again appended my very first camera test movie, entitled Lux ex Tenebris. This is the Special Edition of my first footage ever taken with the BMPCC, and my first try to use that camera with the Meteor 5-1 zoom lens. The result out of camrea was very shaky. This version has … More Lux ex Tenebris (Special Edition) – Camera Test Movie I

Dogma 16 No. 2 – A Curious Day at Snooper’s Haven

This is a presentation of my third official short movie produced by Gorilla Film Studios, referred to as No. 2 being the second film adhering to the Dogma 16 manifesto, entitled A Curious Day at Snooper’s Haven. It was recorded, edited, mixed, colour corrected and graded by yours truly. Music by courtesy of POLYNAUT_, used … More Dogma 16 No. 2 – A Curious Day at Snooper’s Haven

Cinematic Naturalism – Using Practical Lighting (and some thoughts about the Lumix GH4)

As a independent and guerilla filmmaker, one often has to do with what is offered at the shooting location. When it comes to shooting exterior scenes, that comes natural and is shared with most big budget productions. But the real differentiation between shoe string budget and larger production involves shooting interior scenes, where the use … More Cinematic Naturalism – Using Practical Lighting (and some thoughts about the Lumix GH4)

Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Following the official Blackmagic Forum and unofficial BMCuser forum, I feel that there is to much attention being made on the Blackmagic URSA line of cameras. My qualified guess is that there are a lot more Blackmagic camera users that own and shoot with a Blackmagic Cinema Camera (BMCC), a Blackmagic Pocket Cinema Camera (BMPCC), … More Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

The illusion of Film – Blending my Blackmagic Pocket Cinema Camera with Filmstock

I have been told that the closest equivalent of negative filmstock that emulates the image coming from a Blackmagic Cinema Camera, a Blackmagic Pocket Cinema Camera, or a Blackmagic Micro Cinema Camera, that works best for colour grading and matching with these cameras in DaVinci Resolve, is Kodak Vision3 250D 5207 Colour Negative, the successor … More The illusion of Film – Blending my Blackmagic Pocket Cinema Camera with Filmstock

Mirrors – Camera Test Movie with the OKS 3-10-1 and RafCamera Adapter

Exactly one month ago my RafCamera Kinor-16SX-2 to MFT adapter with screws arrived. I got it for free from Rafael Pankratau of RafCamera, because the bayonet lock version of that same adapter didn’t fit my LOMO 16 OKS 3-10-1 f/2.1 10 mm. But the simpler version with screws fits as a glove! The lens is … More Mirrors – Camera Test Movie with the OKS 3-10-1 and RafCamera Adapter

(Not) Fearing the Dark – Using Available or Natural Light

Professional filmmaking makes a huge affair of using good and enough lighting of a scene, in particular with internal shooting. Availability of light is what separates big budget from zero. This stems from the days of shooting with celluloid film stock. Although digtal filmmaking isn’t as sensitive to darkness as photocemicals used to be, this … More (Not) Fearing the Dark – Using Available or Natural Light