Dogma 16 No. 2 – A Curious Day at Snooper’s Haven

This is a presentation of my third official short movie produced by Gorilla Film Studios, referred to as No. 2 being the second film adhering to the Dogma 16 manifesto, entitled A Curious Day at Snooper’s Haven. It was recorded, edited, mixed, colour corrected and graded by yours truly. Music by courtesy of POLYNAUT_, used … More Dogma 16 No. 2 – A Curious Day at Snooper’s Haven

Looking for imperfections – Chromatic Abberations on the LOMO 16 OKS 3-10-1

A commentator was kind enough to point out some chromatic abberations coming from the LOMO 16 OKS 3-10-1 f/2.1 10mm lens, as seen in my Test Movie III: Mirrors. He used one example of a cutout from a window at 0:24 where a blue line on the left and a red line on the right … More Looking for imperfections – Chromatic Abberations on the LOMO 16 OKS 3-10-1

The Good, the Bad and the Ugly – News from NAB 2017

After all the dust has settled from the NAB show of April 22-27, 2017, the world’s largest annual convention produced by the National Association of Broadcasters held in Las Vegas, the following are my lasting impressions, having followed various live streams and reports from a broad range of vloggers on YouTube. According to many, this … More The Good, the Bad and the Ugly – News from NAB 2017

Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Following the official Blackmagic Forum and unofficial BMCuser forum, I feel that there is to much attention being made on the Blackmagic URSA line of cameras. My qualified guess is that there are a lot more Blackmagic camera users that own and shoot with a Blackmagic Cinema Camera (BMCC), a Blackmagic Pocket Cinema Camera (BMPCC), … More Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Upping my Grade – The DaVinci Resolve Micro Panel

Yesterday, at 21:00 (9 pm) Stockholm time Blackmagic Design held a Camera and DaVinci Resolve Press Conference where the founder and CEO Grant Petty presented three new products, the DaVinci Resolve Micro and Mini Panels, and the Blackmagic Mini URSA Pro camera. Blackmagic Design simultaneously announced that a new version of DaVinci Resolve (12.5.5) had … More Upping my Grade – The DaVinci Resolve Micro Panel

Monitor – A Swedish Review of the Blackmagic Pocket Cinema Camera

Searching for well graded Blackmagic Pocket Cinema Camera footage, I stumbled upon a Swedish test and review of the camera. It was originally written and made for the Swedish trade journal Monitor Sverige, published for professionals in broadcast, movies, sound and light, its November 2013 issue. To my knowledge, this is the only review of … More Monitor – A Swedish Review of the Blackmagic Pocket Cinema Camera

(Not) Fearing the Dark – Using Available or Natural Light

Professional filmmaking makes a huge affair of using good and enough lighting of a scene, in particular with internal shooting. Availability of light is what separates big budget from zero. This stems from the days of shooting with celluloid film stock. Although digtal filmmaking isn’t as sensitive to darkness as photocemicals used to be, this … More (Not) Fearing the Dark – Using Available or Natural Light

Pimping up the BMPCC – My Wish List for 2017 and beyond…

To recapitulate the past year. Autumn of 2016 saw a major investment in a new digital film camera, the Blackmagic Pocket Cinema Camera, plus two SDXC flash memory cards and a dual USB charger to go with the two EN-EL20 spare batteries. I also aquired a brand new workstation that would match up the CinemaDNG RAW workflow … More Pimping up the BMPCC – My Wish List for 2017 and beyond…

A Short Narrative Documentary – The XmasTree Hunt

Herein below is attached my first official short movie presented by Gorilla Film Studios (formerly MasterPlan Productions), entitled The XmasTree Hunt. It was directed, recorded, edited, mixed and graded by yours truly, Tomas Stacewicz. Music by courtesy of Kevin MacLeod (incompetech.com) used under a Creative Commons Attribution 4.0 (creativecommons.org/licenses/by/4.0/) license, and the Jingle Punks. Drone … More A Short Narrative Documentary – The XmasTree Hunt

The Big Three – The Fraternity of Digital Super 16 Shooters

Recently, a heated discussion erupted on the Blackmagic Forum following a plead to Blackmagic Design to incorporate Bolex Log and Bolex Wide Gamut RGB support as an option in the Camera Raw panel of DaVinci Resolve. The biggest benefit from the implementation of such a feature, the pleader Alex Mitchell holds, is that highlight information … More The Big Three – The Fraternity of Digital Super 16 Shooters

The Logic of RAW – Why it’s better to overexpose (than to underexpose) with the Blackmagic Cinema Cameras

In a previous blog post, where I delved somewhat into the question of over- and underexposure with CinemaDNG RAW, I stumbled upon the topic of the seeming similarites between the flat image of RAW and the Log (logarithmic) profile curve whose exposure f-stop range perfectly emulates the iris of the human eye. Let me reiterate … More The Logic of RAW – Why it’s better to overexpose (than to underexpose) with the Blackmagic Cinema Cameras