A Firm Grip – Improving my Shoulder Rig

Assembling my new DIY shoulder rig with components from Zenit (Krasnogorsk-3 Pistol Grip and Telescopic Shoulder Brace), Manfrotto (088LBP Female 1/4″-20 to Male 3/8″ Adapter with Flange) and POOLi™ (D-BASE-2 and POOLiCAGE), I wasn’t fully satisfied with the fit between the grip and the base, even though I had drilled a new hole for the … More A Firm Grip – Improving my Shoulder Rig

Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Following the official Blackmagic Forum and unofficial BMCuser forum, I feel that there is to much attention being made on the Blackmagic URSA line of cameras. My qualified guess is that there are a lot more Blackmagic camera users that own and shoot with a Blackmagic Cinema Camera (BMCC), a Blackmagic Pocket Cinema Camera (BMPCC), … More Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

The illusion of Film – Blending my Blackmagic Pocket Cinema Camera with Filmstock

I have been told that the closest equivalent of negative filmstock that emulates the image coming from a Blackmagic Cinema Camera, a Blackmagic Pocket Cinema Camera, or a Blackmagic Micro Cinema Camera, that works best for colour grading and matching with these cameras in DaVinci Resolve, is Kodak Vision3 250D 5207 Colour Negative, the successor … More The illusion of Film – Blending my Blackmagic Pocket Cinema Camera with Filmstock

Made in Russia – Considering the POOLiCAGE for the BMPCC

I already knew when puchasing the Blackmagic Pocket Cinema Camera that I eventually would need to invest in a protective metal cage which also provided for a full rigging of the camera, with rods, batteries, mics, etc. In my search I have considered the CAME-TV, the Tilta ES-T13 and the CamTree Hunt (a carbon copy … More Made in Russia – Considering the POOLiCAGE for the BMPCC

Eastern Promises – Retrofitting the Blackmagic Pocket Cinema Camera

The Blackmagic Pocket Cinema Camera is a wonderful and compact digital film camera with a really high bang for the buck factor, the bang being a Super 16 Sensor in Full HD and CinemaDNG RAW codec with 13 stops of dynamic range and 12 bit RGB 4:4:4 colour space. But it has to be remembered … More Eastern Promises – Retrofitting the Blackmagic Pocket Cinema Camera

My first stumbling steps – A Celluloid Love Story

It all started with my horrific re-experience of Tobe Hooper’s The Texas Chainsaw Massacre (1974) back in the early winter months of 2006. I had bought a good Swedish special digibox edition DVD of that film. I believe that I hadn’t seen the film since my first encounter with it in the early 1980’s as … More My first stumbling steps – A Celluloid Love Story