Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Following the official Blackmagic Forum and unofficial BMCuser forum, I feel that there is to much attention being made on the Blackmagic URSA line of cameras. My qualified guess is that there are a lot more Blackmagic camera users that own and shoot with a Blackmagic Cinema Camera (BMCC), a Blackmagic Pocket Cinema Camera (BMPCC), … More Against High Resolution Large Sensors – Why I prefer to shoot in 2K Super 16

Eastern Promises – Retrofitting the Blackmagic Pocket Cinema Camera

The Blackmagic Pocket Cinema Camera is a wonderful and compact digital film camera with a really high bang for the buck factor, the bang being a Super 16 Sensor in Full HD and CinemaDNG RAW codec with 13 stops of dynamic range and 12 bit RGB 4:4:4 colour space. But it has to be remembered … More Eastern Promises – Retrofitting the Blackmagic Pocket Cinema Camera

My first stumbling steps – A Celluloid Love Story

It all started with my horrific re-experience of Tobe Hooper’s The Texas Chainsaw Massacre (1974) back in the early winter months of 2006. I had bought a good Swedish special digibox edition DVD of that film. I believe that I hadn’t seen the film since my first encounter with it in the early 1980’s as … More My first stumbling steps – A Celluloid Love Story